Start Page
l
Favorite
l
RSS
l
Edited 2023.02.04 [13:45]
All articles
l
Log in
l
ID/PW Find
Subscribe
Music
Acoustics
Audio Engineering
Digital Audio
Recording
MIDI
Music Business
Lab
Product News
Lab
Lab
[Acoustics] Lab 1: Sine Wave Oscillator Sweep 20 Hz to 20 kHz
Sine Wave Oscillator Sweep 20 Hz to 20 kHz || Demonstrates the audible spectrum. Fletcher-Munson’s (equal loudness) research indicates that we are more sensitive to mid frequencies than others. In this demonstration, the middle frequencie ...
/ The Music Telegraph
[Acoustics] Lab 14: Reversing Piano's ADSR Envelope
This series of examples shows how important envelope information is to identification of a sound. In this example, the piano plays "Happy Birthday Song". All is normal. We hear recognizable ...
The Music Telegraph
| 2021.04.12 11:41
[Recording] Lab 13: Creating Triggered Gated Reverbs
With a reverb gated by an external signal, you can control the shape of the reverb tail by another signal. You are going to put different reverbs on a kick and snare drum and gate them so they have di ...
The Music Telegraph
| 2021.02.04 12:53
[Recording] Lab 12: Using Gates to Remove Leakage
In this lab, you will use gates to remove leakage from individual tracks. You'll load in your song, solo the desired tracks, insert gates in their channels and adjust the parameters so the tracks are ...
The Music Telegraph
| 2020.05.12 11:29
[Recording] Lab 11: The Mix Styles
We have detailed four distinct mix styles for you to choose from (see above). You are to pick the song, then pick the mix style and get busy mixing in that style. ...
The Music Telegraph
| 2019.12.04 12:19
[Acoustics] Lab 10: Plucked Guitar with Pick / without Pick
This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same instrument with different ADSR ...
The Music Telegraph
| 2019.08.29 15:16
[Recording] Lab 9: Guitar Note Compression
Guitar Note Compression The first part of guitar note is not compressed and the later part of guitar note is compressed. This seems to be difficult to hear, but listen carefully to difference in peak ...
The Music Telegraph
| 2019.06.28 13:10
[Recording] Lab 8: Automate A Left-Right Pan of The Lead Guitar At The Outro
Automate A Left-Right Pan of The Lead Guitar At The Outro What we are looking for here is an effect that moves the lead guitar from one side to the other and (maybe back again). The number of times ...
The Music Telegraph
| 2019.06.10 14:02
[Acoustics] Lab 7: ADSR Envelope Generator
ADSR Envelope Generator This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same instru ...
The Music Telegraph
| 2019.05.15 15:14
[Acoustics] Lab 6: Comb Filtering on White Noise
Comb Filtering on White Noise What's going on here is that the delay time is being continuously changed and added into the direct signal. The "Sweeping" that's heard as the delay time is ch ...
The Music Telegraph
| 2019.04.24 17:18
[Acoustics] Lab 5: Drum pattern recorded in/out of phase
Drum pattern recorded in/out of phase This is an example of how phase affects the drum sounds. When the mono drum track is played 180 degrees out of phase, there are cancellations of frequencies, ima ...
The Music Telegraph
| 2019.04.15 17:21
1
2
QUIZ
Audio Electronics (Quiz #2)
Mixing (Quiz #2)
Audio Engineering (Quiz #3)
Music Business (Quiz #3)
Most Read
1
Accurate Sound 'Digital Room Correction Calibration Service': The Science-based Remote Room Correction Service bringing Even and Clear Bass Response and Enhanced 3D Image of Your Sound
2
Review #7 (Digital Audio)
3
Major Label Album Budget
4
Apollo Sound ‘Middle East Deep House’: An Extra Unique and Authentic Arabic Deep House Sample Pack
5
Basic Waveforms of Synthesizer: Pulse Wave
6
Record Label Contacts (24)
7
Auditory Lab ‘Wave Pads’: A Huge Collection of Rare Textures, Ambient Pads, Soundscapes, and Atmospheres that are Easy to Use
8
Focus Fidelity 'Filter Designer' and 'Impala': The Room Correction Software Package that Effectively Calibrates Audio Playback for Your Loudspeakers and Room Acoustics
9
Empirical Labs 'AROUSOR™ Rev 3': A Plugin that brings The Legendary Tone of its Analog Hardware with more Distressor-based Tones
10
AURA Plugins 'Access Virus Editor & Librarian': The Hardware Editor that Helps Thoroughly Control Access Virus Synthesizers from Your DAW
Lab
(popular articles)
Most Recent
Accurate Sound 'Digital Room Correction Calibration Service': The Science-based Remote Room Correction Service bringing Even and Clear Bass Response and Enhanced 3D Image of Your Sound
Accurate Sound 'Hang Loose Convolver': A Standalone, VST3 & AU Plug-in that provides the ability to load Various Convolution Filters allowing Easy Level Matching and Instant Switching between filters for Accurate A/B Listening Comparisons
Focus Fidelity 'Filter Designer' and 'Impala': The Room Correction Software Package that Effectively Calibrates Audio Playback for Your Loudspeakers and Room Acoustics
Roberta Flack Tour 2001-2002 Input List
Q&A for Stereo Compressor Use