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[Acoustics] Lab 1: Sine Wave Oscillator Sweep 20 Hz to 20 kHz: Sine Wave Oscillator Sweep 20 Hz to 20 kHz Demonstrates the audible spectrum. Fletcher-Munson’s (equal loudness) research indicates that we are more sensitive to mid frequencies than others. In this demonstration, the middle frequenc ... / The Music Telegraph

[Acoustics] Lab 10: Plucked Guitar with Pick / without Pick: This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same instrument with different ADSR ...; The Music Telegraph | 2019.08.29 15:16

[Recording] Lab 9: Guitar Note Compression: Guitar Note Compression The first part of guitar note is not compressed and the later part of guitar note is compressed. This seems to be difficult to hear, but listen carefully to difference in peak ...; The Music Telegraph | 2019.06.28 13:10

[Recording] Lab 8: Automate A Left-Right Pan of The Lead Guitar At The Outro: Automate A Left-Right Pan of The Lead Guitar At The Outro What we are looking for here is an effect that moves the lead guitar from one side to the other and (maybe back again). The number of times ...; The Music Telegraph | 2019.06.10 14:02

[Acoustics] Lab 7: ADSR Envelope Generator: ADSR Envelope Generator This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same inst ...; The Music Telegraph | 2019.05.15 15:14

[Acoustics] Lab 6: Comb Filtering on White Noise: Comb Filtering on White Noise What's going on here is that the delay time is being continuously changed and added into the direct signal. The "Sweeping" that's heard as the delay time is ch ...; The Music Telegraph | 2019.04.24 17:18

[Acoustics] Lab 5: Drum pattern recorded in/out of phase: Drum pattern recorded in/out of phase This is an example of how phase affects the drum sounds. When the mono drum track is played 180 degrees out of phase, there are cancellations of frequencies, ima ...; The Music Telegraph | 2019.04.15 17:21

[Acoustics] Lab 4: Fourier (Harmonic) Series: Fourier (Harmonic) Series There are three instruments played. (Banjo, Guitar, and Synth) With these three of them, the fundamental is first played without any of the harmonics. Then harmonics are add ...; The Music Telegraph | 2019.04.02 14:23

[Acoustics] Lab 3: Consonance / Dissonance (Combination tones): Consonance / Dissonance (Combination tones) Two sine wave tones are played together. The upper tones sweeps up to the octave while the lower tone constantly plays A 220 Hz. At first when the tones pl ...; The Music Telegraph | 2018.12.11 12:05

[Acoustics] Lab 2: Sine / Square Wave: Sine/Square Wave An example of a square wave (with harmonics) is played, followed by a sine wave (no harmonics) of the same pitch. You should try to identify as many harmonics as you can hear. ...; The Music Telegraph | 2018.12.11 11:50

[Acoustics] Lab 1: Sine Wave Oscillator Sweep 20 Hz to 20 kHz: Sine Wave Oscillator Sweep 20 Hz to 20 kHz Demonstrates the audible spectrum. Fletcher-Munson’s (equal loudness) research indicates that we are more sensitive to mid frequencies than others. In ...; The Music Telegraph | 2018.12.11 11:11

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