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[Acoustics] Lab 1: Sine Wave Oscillator Sweep 20 Hz to 20 kHz: Sine Wave Oscillator Sweep 20 Hz to 20 kHz || Demonstrates the audible spectrum. Fletcher-Munson’s (equal loudness) research indicates that we are more sensitive to mid frequencies than others. In this demonstration, the middle frequencie ... / The Music Telegraph

[Acoustics] Lab 16: Reverberation Programs: Multi-effects processors or softwares have many different types of reverberation programs (or presets) pre-programmed into its memory. While artificially generated, many of them attempt to simulate th ...; The Music Telegraph | 2023.09.12 13:39

[Acoustics] Lab 15: Comb Filtering on Voice: Listen to the non-professional voice speaking with comb filtering. (Listen to the YouTube video below from 2:01 to 2:20). Notice the drastic changes in tonality. What you are hearing are cancellations ...; The Music Telegraph | 2023.02.14 13:32

[Acoustics] Lab 14: Reversing Piano's ADSR Envelope: This series of examples shows how important envelope information is to identification of a sound. In this example, the piano plays "Happy Birthday Song". All is normal. We hear recognizable ...; The Music Telegraph | 2021.04.12 11:41

[Recording] Lab 13: Creating Triggered Gated Reverbs: With a reverb gated by an external signal, you can control the shape of the reverb tail by another signal. You are going to put different reverbs on a kick and snare drum and gate them so they have di ...; The Music Telegraph | 2021.02.04 12:53

[Recording] Lab 12: Using Gates to Remove Leakage: In this lab, you will use gates to remove leakage from individual tracks. You'll load in your song, solo the desired tracks, insert gates in their channels and adjust the parameters so the tracks are ...; The Music Telegraph | 2020.05.12 11:29

[Recording] Lab 11: The Mix Styles: We have detailed four distinct mix styles for you to choose from (see above). You are to pick the song, then pick the mix style and get busy mixing in that style. ...; The Music Telegraph | 2019.12.04 12:19

[Acoustics] Lab 10: Plucked Guitar with Pick / without Pick: This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same instrument with different ADSR ...; The Music Telegraph | 2019.08.29 15:16

[Recording] Lab 9: Guitar Note Compression: Guitar Note Compression The first part of guitar note is not compressed and the later part of guitar note is compressed. This seems to be difficult to hear, but listen carefully to difference in peak ...; The Music Telegraph | 2019.06.28 13:10

[Recording] Lab 8: Automate A Left-Right Pan of The Lead Guitar At The Outro: Automate A Left-Right Pan of The Lead Guitar At The Outro What we are looking for here is an effect that moves the lead guitar from one side to the other and (maybe back again). The number of times ...; The Music Telegraph | 2019.06.10 14:02

[Acoustics] Lab 7: ADSR Envelope Generator: ADSR Envelope Generator This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same instru ...; The Music Telegraph | 2019.05.15 15:14

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