Lab

[Acoustics] Lab 10: Plucked Guitar with Pick / without Pick

The Music Telegraph | Text 2019/08/29 [15:16]
Lab

[Acoustics] Lab 10: Plucked Guitar with Pick / without Pick

The Music Telegraph| 입력 : 2019/08/29 [15:16]

© Pixabay



 

Plucked Guitar with Pick / without Pick

 

This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same instrument with different ADSR characteristics (peak-to-average ratios, tone and time envelopes). You should attempt to hear the timbre differences and think about them in terms of time/envelope issues that can be manipulated with audio processors. On the first attempt (plucked guitar with pick), the peak-to-average ratio (P/A ratio) is high because of the pick. On the second attempt (plucked guitar without pick), the peak-to-average ratio here is not as high as in the previous attempt because the finger is used which has a softer, not as sharp attack time. Constrast this with the previous attempt.

  

 

 

 

 

 

 

 

 

< Copyright ⓒ The Music Telegraph :: Prohibit reprinting and redistribution >
The Music Telegraph Another articles
Comment
  • 도배방지 이미지

광고
Most Read
1
Yum Audio launches its business with 4 initial Innovative Sound Tools: Spread, Spread Light, LoFi Playtime and LoFi Pitch Dropout
2
Adam Monroe Music ‘Adam Monroe’s Rotary Organ’: A Virtual Instrument that simulates The Sound of Hammond Organ with Rotating Leslie Speaker
3
Exonic UK ‘AI MASTER’: A Fully Automatic Mastering Plugin driven by Artificial Intelligence of Audio Analysis
4
K-Devices ‘Shaper 2’: A Multi-FX Plugin that Redefines or Totally Destroys Any Kind of Sound Sources for Your Creativeness
5
Roberta Flack Tour 2001-2002 Backline Equipment Rental
6
dSONIQ 'Realphones': A Plugin that creates A Complete Mixing Workspace in Your Headphones
7
General Uses of Automation in Mixing
8
XILS-lab ‘KaoX’: A Virtual FM Synthesizer Powered by Analog Synthesis and Chaotic Algorithms
9
SonicProjects ‘OP-X PRO-II’: A Virtual Analog Synthesizer featuring Voice-Based Detuning Features for Unequaled Rich and Organic Sound
10
Ohm's Law
광고
Lab (popular articles)
광고
Most Recent
Yum Audio launches its business with 4 initial Innovative Sound Tools: Spread, Spread Light, LoFi Playtime and LoFi Pitch Dropout
Adam Monroe Music ‘Adam Monroe’s Rotary Organ’: A Virtual Instrument that simulates The Sound of Hammond Organ with Rotating Leslie Speaker
Roberta Flack Tour 2001-2002 Backline Equipment Rental
Exonic UK ‘AI MASTER’: A Fully Automatic Mastering Plugin driven by Artificial Intelligence of Audio Analysis
K-Devices ‘Shaper 2’: A Multi-FX Plugin that Redefines or Totally Destroys Any Kind of Sound Sources for Your Creativeness
광고
광고
광고
광고
광고
광고
광고
광고
광고